My practice has evolved from a focus on architectural fragmentation and layered spatial perspectives, as seen in my earlier series Perspectives, to a more integrated, mixed-media approach. Initially rooted in traditional techniques like painting, collage, and historical composition, my work explored the transient nature of place and the boundaries we create within physical environments.

Over time, I am incorporating digital manipulation alongside photography and painted textures—expanding my visual language without abandoning the tactile essence of my work. This shift allows me to further examine the interplay between physical and constructed realities through layered compositions that blend traditional media with digitally altered imagery.

Rather than relying on code, I embrace digital tools as an extension of hand-based processes—composing, layering, and altering images in ways that echo collage and analog assembly. The result is a body of work that challenges conventional definitions of authenticity and reflects the increasingly hybrid nature of our world, where boundaries—both physical and conceptual—are constantly in flux.